Over the years, you might have picked up on a wee obsession of ours... Anything vintage, retro, nostalgic just fills us with pure joy, and we'll often get way more excited over a fuzzy, faded photograph from decades ago over a modern 42MP masterpiece. That's not to say we're old-fashioned - we love the old & new in equal measures. Seeing what's being done in the landscape of photography with modern tech is simply mind-blowing - and we've even dipped our toes in wild aerial photography projects ourselves!
We were reading through PetaPixel one day and came across this guy Trent, who had hooked up an Fujifilm Instax camera to a drone he built himself. I don't think we've found anything more up our street than this. We applaud the creativity here, and it shows there really are no limits to what can be done with a drone. Mounting the instant camera, something that's been around for 70 years to a quadcopter? No problem.
What we loved most about this project is just how different these images looked in that format to the run-of-the-mill party photos taken with Instax cameras. That look of instant nostalgia, but a few hundred feet in the skies above California really fascinated us, and we're sure you'll love them too. Read more about the project, see the results and check out Trent's video on the project below!
Words by Trent Siggard
Over the last 5 years, drones have consumed every part of my life. From using aerial systems to carry cameras as a service provider with Drone Dudes, to selling drones with Dronefly, or designing and making drones in China with Yuneec, I’ve been involved in all aspects of the drone industry.
The last 3 of those years have dealt heavily in FPV racing, building, and tinkering. One day I got the idea to challenge myself to build a custom drone that can carry a Fujifilm Instant Camera to take one of a kind aerial images.
With the drones available today you can fly for up to 30 minutes and take as many photos as your memory card will hold. I wanted to shift the way I think about taking aerial photos and become more intentional in what I shoot. That’s why I’ve decided to combine the two and put an instant camera on a drone.
I had an extra 500mm quadcopter frame collecting dust and knew it was the perfect platform for this project. I used some spare parts from Open Grove Raceway including a DJI Naza V2 flight controller and some old UBAD 20a ESC’s to get it flying. After a successful test flight, I had to mount the instant camera.
With the camera mounted on the front of the drone and 11″ props, I had about 2mm to spare in-between the camera and the propellers. This made mounting the camera very difficult as I had to remove the camera every 10 photos and put in a new instant film cartridge. I ended up using dual lock to mount the camera in a way where it was removable and used some rubber band reinforcement to hold the top of the camera back.
To have a reference of what the camera was seeing I used a standard FPV camera attached the side of the Instax with dual lock so I could have a reference monitor on the ground and to have a rough idea of what my camera framing was like.
To trigger the camera I glued a Futaba S3003 Standard Servo to the camera, plugged it into the flight controller, mapped the servo channel to a spring-loaded switch on the controller so it would only be at its limit as long as I held it there, and limited its travel in my remote. This made it so I wouldn’t burn out the servo from over-stressing it while ensuring that it travels the full range it needed to. I mapped the servo channel to a spring-loaded switch on the controller so it would only be at its limit as long as I held it there.
You can also see in the image below that there is tape over the flash. On these Instax cameras, the shutter speed is always 1/60th and the flash always fires. In early testing, I noticed that the flash was illuminating the propellers in some photos. Once I covered the flash mixed with the slow 1/60th shutter speed was enough to ensure the propellers wouldn’t show up in my images.
This project was a lot of fun for me. It shifted my process on taking aerial photos from one where I shot an access of content, to shooting one image at a time. It slowed me down, made me think, and execute on one image at a time.
Words by Trent for Peta Pixel. You can follow Trent on Instagram HERE, and subscribe to his wonderful YouTube channel HERE. Why not hit him up with some questions?